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P
RO
Of
by David Auburn at
The Flight Theatre at The Complex
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This gripping Tony and Pulitzer award winner by David Auburn juggles
the lives of four people with uncanny insight and uncomfortable
realism. Opening with a
touch of Hamlet, as the ghost of Robert appears to his daughter on
her birthday, hours after his death, the story cleverly goes back and
forth in time, revealing glimpses of the past, interlaced with the
present.
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- Robert has been dead for one day, and Catherine is not sure whether
to be relieved or to mourn his passing.
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- He had been mentally ill for years, needing constant care
and attention, and even though he was an acknowledged
genius in mathematics, the last years of his life had been
a barren wasteland of scribbles and doodles on his
“working” notebooks.
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- His other daughter Claire, returns from New York with a decidedly unflinching agenda.
After the funeral, she’ll sell the house and take
her sister to New York and if Catherine does carry the same illness gene as the
father, she can care for her more easily.
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- Veronique Ory
- Craig Braun
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It’s evident that these two have some
serious unresolved issues that go beyond the sibling rivalry, and their
resolution is elegant as director Charlotte Gulezian charts a narrow but
clear path that makes Proof one of the most intelligently acted offerings of
the season. Besides the issue of
dealing with the father’s death, mathematics play a major role, as young
Hal, a former student and now a teacher, volunteers to go through the
hundreds of notebooks left by Robert to see if there is any mathematical
gold to be gleaned from them.
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Elena Fabri -
John Bobek |
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- As one might expect, a
relationship develops between Catherine and Hal, deep enough
for her to entrust him with a notebook of special mathematical
work. When he
examines the contents he is flabbergasted.
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- Meticulously laid out, Hal finds
the proof for a problem that has plagued the world of math for
years. It seems
that the professor may not have been as ill as others thought
and that he actually worked all the years when he was supposed
to be sick.
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- That’s when Catherine reveals the work
is hers.
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If anything can bring people together,
it’s trust – but the lack of it can rip them apart, as happens when
Claire immediately challenges her sister, being skeptical that
Catherine could have the intellect to understand the concept laid out
in the book She demands
proof, and Hal becomes entangled in the dispute agreeing to have the
notebook examined by his colleagues.
Whether the work is Catherine’s or
Robert’s become a moot point as the fissure between the sister
deepens and the romance between Catherine and Hal sputters.
Faith, belief and trust become far more important in resolving
their conflict, and eventually common sense and a strong will triumph
over manipulation and control.
Elena Fabri as Claire is excellent
portraying the apparently benevolent sister who is determined to impose
her will believing that she is right no matter what.
At times, you almost want to punch her out for being such a
bitch, she’s that convincing. Craig
Braun looks every bit the college professor, a bit more lucid than
he’s supposed to be, but convincingly dedicated to his work, if not
his daughter. John
Bobek’s college teacher, Hal looks more like a teen-age geek trying
to make time, but his dialogue and delivery quickly convince you he’s
a serious student with serious ambitions, especially towards Catherine,
a girl with a voluble temper – not much self assurance and a mind
that knows no bounds when it comes to the mathematical abstracts.
Veronique Ory can change emotions on a dime, and here she
delivers a performance that has you wondering if she’s the sweet
daughter who loves her father enough to give up her education, a lazy
opportunist lacking motivation or a genius suffering a touch of the
same madness her father had. Whatever
you select, it's a performance rich with feeling and insight.
This is a
gem of a production, proof positive that Athena Theatre is more than
fulfilling its mission of bringing quality theatre to a desert of
mediocrity.
Pick of
the Week
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at: Letters@ReviewPlays.Com
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WHERE:
The Flight Theatre at The Complex
6472 Santa Monica Blvd.
Hollywood, CA 90038
call (818) 754-1423
WHEN:
Thursdays, Fridays, Saturdays
at 8 PM; Sundays at 7 PM
July14th-July 31 2007
WHO:
Written by David Auburn
Directed by Charlotte Gulezian
Scenic Design by Danny Truxaw
Costume Design by Kaori Mita
Lighting Design by Michael Bergfeld
CAST:
Catherine–Veronique Ory
Robert– Craig Braun
Hal – John Bobek
Claire – Elena Fabri
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