- The Maiden's Prayer
- The Raven Playhouse
- Reviewed by Jose Ruiz
- The Maiden's Prayer comes from the prolific
pen of Nicky Silver, so going in you know the material is meritorious.
OK, it's not quite the same as Pterodactyls, Silver's award winner,
but the exploratory theme of feelings, rejection, dejection and love
are all there wrapped neatly in a story that tangles four people in a
love rhombus.
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- It's a rough story that begins with a
wedding between Cynthia and Taylor, then moves to a back room where we
meet Libby, Cynthia's sister and Paul, a long time friend of Taylor.
Playwright Silver wastes no time letting us know who these people are;
Libby hates her sister since childhood, and now that she has married
Taylor, she hates her more because Libby was also in love with him.
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- Cynthia exhibits a self-satisfied smugness
that is underscored by a subtle manipulative air, and Paul is a gay
man who has also loved Taylor since the age of six, but is now
drifting from one affair to another, usually from night to night.
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- Ben Hensley
- Lauren Hattaway -
Isaac Nippert
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- Libby is a neurotic trying to maintain
sobriety but fighting it all the way since her temper flares with the
slightest provocation. Events happen quickly - Libby loses her job,
Cynthia loses her baby at birth and Paul keeps turning over lovers
until a hanger-on drifter talks him into letting him stay with him. At
this point Cynthia and Taylor are experiencing serious problems until
things get so bad they separate. Meantime, without a job Libby also
moves in with Paul and falls into a situation where she eventually
becomes a call girl to support herself, giving Cynthia some real
ammunition to use against her.
First presented in 1998, Silver's
play shows people who are not good at coping with life and often
misdiagnose their own problems. There is a great deal of anger shown, and
director Tim Lanfield has his actors do a lot of yelling - more than is
needed at times. The Raven's small area has a cramped feel which is not
helped by a large bed on the left and a small table on the right of the
stage. The actors do not seem comfortable manipulating themselves in the
small area. Maybe this is good, since the characters they play are not
capable of expanding their lives beyond their small world and the metaphor
emphasizes confinement. |
- In spite of it the actors are quite good -
special mention goes to Courtney DeCosky, who as Libby, allows the
character to transition through several stages of psychological stress
and emotion.
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- Isaac Nippert shows Taylor going from an over solicitous
husband to a broken down drunk contemplating suicide and Ben Hensley
is also excellent in his comedic multiple roles as Paul's paramours.
His portrait of Andrew paints a man who is opportunistic in finding
free living arrangements, evaluating their suitability by the bathroom
size and the level of cable service in the apartment more than any
personal feelings.
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- Isaac Nippert
- Courtney DeCosky-Lauren Hattaway-Colbert Alembert
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- At first Lauren Hattaway gives Cynthia a
warm personality but that changes drastically after the death of the
baby, where she becomes selfish and insensitive while Colbert
Alembert's portrayal of Paul is harder to pin down. We're never sure
if he's meant to be comical, tragic, serious or just annoying, but he
does the annoying part quite well.
A question came to mind about
some details of the story. We are told that Cynthia's baby died because
the cord was wound around the neck and suffocated the baby before birth.
In today's medical world with ultrasound and all other means of monitoring
prior to birth, where doctors have been known to operate on pre-natal
children, there is a much smaller chance of that happening*. When this
play was written such deaths were probably more common, and perhaps an
update might be in order to increase believability.
In the end the characters do not
seem to be much better off than in the beginning. The solutions they reach are at best fragile and at worst flimsy and you leave the theatre
hoping that you will not meet anyone like them. When one's problems are
measured against what Silver has his characters go through there is a sigh
of relief that this is just a play and that your life could not ever be as
screwed up as these people. Could it?
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* Source
http://www.marchofdimes.com/complications_umbilical.html
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