Monkey Adored
The Rouge Machine
Reviewed by Jose Ruiz

There have been many allegories dealing with humans and animals, the most recently famous being by George Orwell whose Animal Farm depicted corruption in leadership as a flaw in any revolution.  It's underlying theme was the Russian revolution.

The Rogue Machine is now presenting Henry Murray’s Monkey Adored which starts out like a comedy, continues like a drama and finishes like a tragedy as it explores a strange liaison between various animals who attempt to unite against a research facility that uses animals for experiments.  In some areas, that is an incendiary topic that arouses passion and anger among many.

Standing: Edward Tournier - Jeniffer Taub
Sitting: David Mauer - Amanda Mauer
Brown Spot is a dog, and like any dog his best friend is Man – or is it? Actually, Brown Spot loves Sonny Bonobo a monkey who has recently been experimented on by a research lab and now comes back to Le Café Café, a popular meeting place for animals who are presented in an anthropomorphic depiction by the playwright. The waiter is Penguinito, a properly tuxedoed gentlemanly penguin whose statements are often platitudinous. Around him is Elaine Ostrich, a buxomy bird who complains about her medical maladies and soon they are joined by Madeline Kahn, a sexy female cat who enjoys “catting around” with different males, even if they are not feline.

The topic of conversation between the dog and the monkey deals with love and sex, and it’s pretty much what one might hear at a college coffee shop. But soon it turns to the discussion of the cruelty of humans in the research lab and how the animals can get back at the humans. The dog, Brown Spot, is conflicted about placing blame since he has fond memories of being with humans and the monkey is concerned with his sexual encounters – especially now that he’s after the cat. Along comes James Rat, a sneaky rodent who speaks in rhyme and reminds them of how humans try to exterminate him by placing cheese laden traps which could cut off his head – or tail at best.

The dialog is replete with witticisms, some quite comical but alas, go by much too fast for some in the audience. Elaine Ostrich talks about her mother failing to see the future clearly and says – “...guess that happens when you have your head in the sand!” Then there’s James Rat proclaiming his rights – “I am a Rodent American!” and when he is in doubt, exclaiming “What would Mickey do?”

A brilliant touch was hanging the famous picture of dogs playing poker, “A Friend in Need”, by Cassius Marcellus Coolidge in the room where Brown Spot lives. Incidentally, that picture depicts one of the dogs cheating – a possible foreshadowing of the story.

All these clever and comic touches combined with projections and some animation and puppetry make this story a somber and compelling drama about cruelty – morality – even justice. If we accept that the animals are a metaphor for a segment of society that is repressed and abused, can we also accept their draconian solution for resolving the conflict? And if we continue to identify with humans, can we argue that the experiments which may seem cruel at the time often result in a greater good for society and therefore justify the pain or suffering inflicted?

John Perrin Flynn directs this darkly comic tale with a keen eye for subduing the melodrama and maximizing the sensitivity of the characters. In the scene when the humans come to take away the monkey, you are horrified by the indifference of man. When the dog and the rat plan their grand scheme it’s not unlike eavesdropping on conflicted young men in the Middle East planning a desperate last statement. And when you see the final results you’re kind of glad that this is a play and you didn’t have to choose sides. With films like the recent Rise of the Planet of The Apes and plays like this, someone seems to be making a case that closely resembles the mission of PETA.

Wikipedia tells us that the infinite monkey theorem states that a monkey hitting keys at random on a typewriter keyboard for an infinite amount of time will almost surely type a given text, such as the complete works of William Shakespeare. Maybe they did already! Maybe it wasn’t Shakespeare but rather they wrote about humans vs. animals and sneaked it into the minds of playwrights so they can produce cautionary tales like this one. Whatever the case, you will certainly have a theatre experience that is far different from the average stage fare normally seen.

The excellent cast for Monkey Adored includes Ron Bottitta as Penguinito, Jennifer Taub as Elaine Ostrich, Edward Tournier as Sonny Bonobo, Amanda Mauer as Madeline Kahn, Patrick Flanagan as James Rat and David Mauer and Justin Okin alternating as Brown Spot.

MONKEY ADORED runs Fridays & Saturdays at 8 pm, Sundays at 3 pm through November 20, 2011. ROGUE MACHINE is located at 5041 W. Pico Blvd., Los Angeles, CA 90019. Tickets are $25 (Fri) and $30 (Sat & Sun). Reservations: 855-585-5185 or at www.roguemachinetheatre.com

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Photo: John Perrin Flynn