Me, As A Penguin
                The Lost Theatre
                Reviewed by Jose Ruiz
Mina Badie - James Donovan

This American Premiere by playwright Tom Wells may provide an opening for a new kind of "British Invasion", except this time instead of music it could be plays.

Most people will agree that British sense of humor is different from the American way of seeing things, and this play is an excellent example of that.  Starting with the premise that a man has stolen a baby penguin from an aquarium, the events that follow could be a roll-in-aisles laugher or a sly wink-wink-nod teaser.  It's neither. Author Wells chooses sort of a middle road, aided by director John Pleshette who carefully low-keys the action letting the dialog drop clever zingers to fill the laugh meter.  And still with that, we also get to see a rather poignant and sad portrait of Stitch, the man who stole the penguin.

 
Liz and Mark are expecting their first child and they are letting her brother Stitch stay with them for an indeterminate time and sleep on the settee, a metaphor which later becomes an important part of the story.  She's excited about the baby (Bump - she calls it) and Mark is uncertain about the future but is trying to get used to the enormous change they will soon be facing.   Stitch has left the safety of his mother's knitting shop in Withernsea for a more varied gay scene in the town of Hull,  where he is introduced to Mad Dave, a man in a penguin suit working at aquarium to draw the kids in.  Stitch has a brief encounter with him but we later see Dave as a cynical, self serving individual who is out for himself only.
 
Even though the couple seems to be the main focus, the story is more about Mark and Stitch.  The brother is unable to define his life, and Brendan Hunt gives a strong performance in a role that mixes humor, uncertainty and depression depicting Stitch's struggles to find a reason for being.  There is a scene early in the play where Stitch refuses to let anyone use the bathroom (the loo) because he has hidden the penguin there.  This serves to underscore his frame of mind and the erratic thought process he is suffering.   James Donovan is very believable as the prospective father who really does not know how the future will turn out.  There is a marked contrast in the attitudes of the two men, yet they face a future that could be terrifying in different ways and each has a monumental internal struggle to resolve it. Mina Badie makes a charming pregnant mother, easy going and very eager to give birth and very sympathetic to the issues facing both men.
 
Dave's character is captured by Johnny Giacalone, who in spite of looking silly in the penguin suit manages to come off like an odious, self serving jerk.  The kind of guy you love to dislike.
 
You have to really listen hard as the actors adopt a British working class accent (which at times is completely indiscernible) so you may miss some sentences here and there.  Also, the dialog gets somewhat slow at the end of the first act and in mid-second act, and coupled with the dialect, there are things that are "lost in translation".  You have to guess, not so much what they said but why.
 
So you get to see a part of life not usually familiar on this side of the pond.  People have similar problems, but their attitudes are different and the resolutions may not be as we would have them.  Yet, it's a charming little story that shows how people feel when they are out of their element - much like a little penguin in a bathroom thousands of miles from its homeland. 
 
Plays through March 6, 2011.  The Lost Studio, 130 South La Brea Ave. Los Angeles. 323-960-7721
 
 
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            Photo: Claudia Unger