- Lie With Me
- Art/Works Theatre
- Reviewed by Jose Ruiz
- Mutineer Theatre Company has launched its inaugural presentation
with a world premiere play by Keith Bridges.
In a previous interview with Artistic Director Jon Cohn
(click here to read) he
outlined a little bit of the vision and plans the new company
hoped to achieve. What he did not say was that this first
presentation would be a real challenge, not just for the actors,
but especially the viewers.
Director Joe Banno takes the
characters created by Bridges and makes them some of the most
dysfunctional people ever seen on stage. One can describe the family
portrayed in two short common words – “screwed up”.
Then you can add other adjectives to expand the meaning and you
might come close to explaining this family’s behavior.
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- Taylor Coffman - Emily Morrison
- Amber Hamilton
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Let’s start with the title.
Is it “lie with me” as in “tell lies with me: - - or is it
to “go to bed with me”? The
answer to both is yes.
It deals with a taboo sexual coupling by two people which
resultis in a
bed of lies anchored by denial, deception and hatred. Just to
clarify, this is not exactly a date play, but one that will give you
plenty to think about.
It’s not too complex a scenario.
The mother is dying from a cancerous brain tumor, the oldest
daughter has all but disappeared from home and her job is having sex with
people who are disabled or disfigured and could never hope to find a
mate on their own. The youngest daughter is in the internet porno
industry performing on a web cam doing whatever sex acts her patrons ask
her to do. Are there some
dots that can connect the daughters here?
We learn the wife has lost some
memories of the past – and it appears that nobody really wants her to
remember for fear of what might result.
Stan fell in love with Carla, his
older teen-age daughter (and she with him) and the closeness between
father and daughter morphed (or degraded) to a romantic love affair.
For years they carry on, hiding, evading, pretending and even
when she goes away to college he visits her and they continue the
relationship. Now she hates
her past and wants nothing to do with anyone. Susan, the youngest
daughter, knew about the affair and hates her father – not for doing
it with the sister but because he didn’t do it with her. The poor
thing felt left out, probably. The
wife knew about the affair and grew to resent her daughter, seeing her
not as a victim, but more like “the other woman” who stole her
husband’s affections.
So what else could be wrong with
this picture? The boyfriend!
Ian, a wannabe film maker has fallen in love with Carla while
making a documentary about her chosen work and while he seems truly
sincere in helping her in the moment of crisis, he doesn’t fully
understand all the machinations and the broken cogs that surround these
people. He quickly earns the
ire of the father, the sister and even Carla.
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- Taylor Coffman - Jon Cohn
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None of these people seem to have
any redeeming qualities, and it’s hard to like any of them.
It’s even hard to feel sympathy for the mother who babbles all
sorts of marginally related mutterings whenever she’s partially lucid.
When the family communicates it’s by yelling – their
sentences punctuated by four letter words and their reasoning motivated
by their selfish need for redemption which they feel can be achieved
only by trying to inflict as much damage and place blame on the others.
When they gather at the hospital waiting for the inevitable some
truths come out.
Eventually
Stan admits that when he was doing it with Carla “it just felt right
at the time!” His logic?
“I never forced her into anything”. Attorney Gloria Allred
would have a field day with this man.
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Now about the merits of the play.
Amber Hamilton as Susan and Taylor Coffman as Carla are
exceptional as the daughters in search of a family.
Each in her own way embodies the psyche of the wronged daughter.
Both lie when they feel it’s necessary, both think they have
the solution and each has moments where their character develops and
attempts redemptive change. The
play closes with the audience never being sure if their attempts
succeeded fully.
Christian Lebano gives Stan, the
father, some unique warm moments where we see true contrition and
paternal love. Then the
character takes a step backward, which makes his every previous
assurance of family concern completely suspect.
Emily Morrison has the
hardest task, playing the thankless role of a sometimes comatose mother
who doesn’t say much, and when she does, it makes sense only to her.
Morrison is excellent in the role.
Then there’s Ian, the boyfriend.
Jon Cohn gives us a portrait of a young man who wants to start a
life with Carla, but is never really sure if he can accept her current
job, her past or her assurances of innocence.
He’s preoccupied with making his film, he’s stubborn and he
insists on inserting himself into the family’s life.
Cohn’s portrayal gives the impression that Ian may not always
see things clearly and could be a sandwich short of a full picnic
basket.
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- Christian Lebano - Amber Hamilton
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- Mention must be made of the
excellent sound design and music by James Richter which complements the
entire production adding tension to the drama.
The multi-level set by Davis Campbell works in perfect synch to
the story and the lighting by Matt Richter brings out the mood in the
piece.
If you overlook some of the early
dialog which is a bit stilted and you overlook the somewhat uneven
ending which has scenes bouncing back and forth between the mother’s
hospital room and the mother’s grave at the cemetery, the rest is a
very powerful study of a crisis that has torn a family apart with no
hope of repair. While the
author shows that each character shares a part of the blame, it also
shows that each prefers to pass the responsibility to someone else in
the family. If you think
about it, isn’t that a fairly accurate depiction of many family lives?
Mutineer has chosen to navigate a
risky path with this dark premiere production, but the quality of their
work serves notice that they will be a force to be reckoned with in the
future. This production was exceptionally well presented and now we look
forward their next effort.
Photos: Natalie Young
LIE WITH ME runs through April 5, 2009 at Art/Works
Theatre located at 6569 Santa Monica Blvd. Los Angeles, CA 90038.
Performances are Fridays and Saturdays at 8:00 pm and
Sundays at 7 pm.
Tickets are $18 and may be purchased by calling (323)
960-7787
or visit
http://www.mutineertheatre.com/lie_with_me.shtml |
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